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    <loc>https://www.knappdaniel.de/datenschutzerklrung</loc>
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    <lastmod>2018-08-27</lastmod>
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    <loc>https://www.knappdaniel.de/message-to-daniel</loc>
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    <lastmod>2019-02-04</lastmod>
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      <image:title>Message Daniel</image:title>
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    <loc>https://www.knappdaniel.de/uebersicht</loc>
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      <image:title>Übersicht</image:title>
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    <loc>https://www.knappdaniel.de/moderation</loc>
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    <lastmod>2023-04-02</lastmod>
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      <image:title>Moderation</image:title>
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      <image:title>Moderation</image:title>
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      <image:title>Moderation</image:title>
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      <image:title>Moderation</image:title>
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      <image:title>Moderation</image:title>
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      <image:title>Moderation - WIENER SCHATTENFESTSPIELE, WIEN TOURISMUS</image:title>
      <image:caption>Wien ist schön und immer eine Reise wert. EIn Hauch des Wiener Kultur- und Hauptstadtflairs war in den Festspielstädten Bregenz und Salzburg zu spüren, denn WienTourismus veranstaltete die Wiener Schattenfestspiele und rückte mit "großem Besteck" aus, um mit Schattenautomat, Schattentanz und einer Menge Charme viele Menschen für die lebenswerteste Stadt der Welt zu begeistern. Bei freiem Eintritt konnten die Zuseher:innen vor einer Freiluftbühne die kunstvoll inszenierten Schattenspiele des internationalen Tanzensembles verfolgen. Die Reise führte das Publikum zu den beliebtesten Wiener Sehenswürdigkeiten, zeigte berühmte Gemälde der Wiener Künstler Gustav Klimt und Egon Schiele und lud zu einem Besuch des Donauinselfestes und zu Fashion-Shows ein. Die Schattentanzshow wurde von WienTourismus gemeinsam mit der„flowmotion dance company " inszeniert.</image:caption>
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      <image:title>Moderation - Über mich</image:title>
      <image:caption>Persönliche Daten Wohnort | Hergensweiler (Allgäu, Bodensee, 3-Ländereck) Baujahr | 1976 Größe | 193cm Augenfarbe | braun Haarfarbe | grau-schwarz Konfektionsgröße | XXL Schuhgröße | 48 Stimmlage | Bariton Kenntnisse Fremdsprachen | native English (US &amp; UK), Französisch &amp; Italienisch (Grundkenntnisse) Dialekte | Schwäbisch, Vorarlbergerisch Musik | Tuba, Gesang, Schlagzeug Sonstiges | Produktionsleitung, Projektmanagement, Konzeption, Festivalveranstalter Interessen | Musik, Reisen, Technologie, Entertainment, Familie</image:caption>
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      <image:title>Moderation - Neujahrsmeeting, felder kg, innsbruck</image:title>
      <image:caption>Eines der weltweit führenden Unternehmen für Holzbearbeitungsmaschinen, die Felder KG lud zum Neujahrsmeeting mit großer Preisverleihung und alle sind sie gekommen. Aus Brasilien, den USA; der Ukraine, Polen, Deutschland, Italien, usw. Mittendrin im internationalen Reigen tummelten sich Olivia Peter und ich. Das war ein Abend. Olivia parlierte charmant auf Deutsch während ich die englischsprachige Moderation übernahm und wir folglich gemeinsam und für alle verständlich durch den Abend führen konnten. Olivia und ich durften im Rahmen dieser Veranstaltung auch den firmeneigenen Johann Award für besondere Verdienste an Mitarbeiter:innen aus der ganzen Welt vergeben und dadurch große Begeisterung in das ein oder andere Gesicht zaubern. Alles in allem ein gelungener Jahresauftakt!</image:caption>
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    <loc>https://www.knappdaniel.de/emceeing</loc>
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    <lastmod>2019-01-22</lastmod>
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      <image:title>Emceeing</image:title>
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      <image:title>Emceeing</image:title>
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      <image:title>Emceeing</image:title>
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      <image:title>Emceeing</image:title>
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      <image:title>Emceeing - KICK OFF MEETING, FELDER KG, INNSBRUCK</image:title>
      <image:caption>One of the world's leading woodworking machinery specialists called their annual Kick Off Meeting and everyone followed the invite; from Brazil, the USA, the Ukraine, Poland, Germany, France, et al. Amidst the international crowd were Olivia Peter and I. What an evening, let me tell you. Olivia bedazzled everyone in German while I took over the English part of the ceremonies. Together we were able to give everyone the possibility to understand what was going on and we even got a couple of laughs throughout the evening. And I am sure that no one left the event hungry or without their hard-earned Johann Award for extraodinary services to the company. A great start to a new year business year.</image:caption>
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      <image:title>Emceeing - About me</image:title>
      <image:caption>Personal facts Residence | Hergensweiler (Allgaeu, Lake Constance, tri-state-area) Born | 1976 Height | 193cm, 6'4.5" Eye Color | brown Hair Color | black/gray Size | XXL Shoe size | EU49, US14 Voice Type | Baritone Skills Foreign Languages | English (US &amp; UK), French &amp; Italian (basics) Accents | Swabian, West-Austrian Instruments | Tuba, Voice, Drums Miscellaneous | Production Management, Design, Creating things from scratch Interests | Music, Travel, Technology, Entertainment, Family</image:caption>
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      <image:title>Emceeing - VIENNA SHADOW PLAY FESTIVAL, WIEN TOURISMUS</image:title>
      <image:caption>Vienna is beautiful and always worth a visit. Audiences in Bregenz and Salzburg were able to get their Viennese fix during the Vienna Shadow Play Festival, because the Vienna Tourism Board went the extra mile and brought a bit of Vienna to both cities. The festival featured a shadow making machine, shadow dance and a lot of charm that attracted attention for the town with the best quality of living. Audiences at the free open-air event sat in thrall as the international dance ensemble's artfully choreographed shadow theatre unfolded on stage in front of them. The performance took in some of Vienna's best-loved tourist attractions and recreated famous paintings by leading Viennese artists such as Gustav Klimt and Egon Schiele. It even included trips to the Danube Island Festival and fashion shows. The shadow dance event was hosted by the Vienna Tourist Board in partnership with the flowmotion dance company.</image:caption>
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    <loc>https://www.knappdaniel.de/produktionsleitung</loc>
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    <priority>0.75</priority>
    <lastmod>2023-03-13</lastmod>
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      <image:title>Produktionsleitung</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548153661606-MCUONYMVENTT2ASG6AOR/DRC+Plakat+China.png</image:loc>
      <image:title>Produktionsleitung - “DREAM of the red chamber” China Tour</image:title>
      <image:caption>Diese Tournee war eine der seltenen Zufälle im Operngeschehen. Denn nur in Ausnahmefällen gehen neue Werke die im Westen produziert werden, wie in diesem Fall “Dream of The Red Chamber” direkt nach ihrer Uraufführung (San Francisco Opera) auf Tour. Bright Sheng und David Henry Hwang haben jedoch ein Werk geschaffen, dass zuerst zum Koproduzenten der Oper, dem Hong Kong Arts Festival (HKAF) eingeladen und anschließend von Armstrong Music &amp; Arts International in China auf Tour geführt wurde. Ich durfte die Entstehung (fast) von Anfang an mitverfolgen, war bei den Workshops in Hong Kong dabei, koordinierte die Entstehung in San Francisco, war bei der Produktion in Hong Kong im März 2017 vor Ort und wurde dann als Produktionsleiter von Wray Armstrong und Evita Zhang zur Vorbereitung und Durchführung der Tournee engagiert, die uns zu Proben nach Tangshan und Aufführungen im Poly Theatre Beijing, dem Meixihu International Culture and Arts Center in Changsha und dem Qintai Grand Theater in Wuhan. Komposition &amp; Musikalische Leitung: Bright Sheng; Libretto: David Henry Hwang &amp; Bright Sheng; Regie: Stan Lai, Bühne &amp; Kostüme: Tim Yip; Licht: Wang Tien Hung; Choreographie: Ran Arthur Braun, Regieassistenz: E. Reed Fisher</image:caption>
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      <image:title>Produktionsleitung - FLASHMOB “Wir sind Europa” in Dornbirn</image:title>
      <image:caption>Anlässlich der Übernahme der europäischen Ratspräsidentschaft, überraschten die Wirtschaftskammer Vorarlberg, die Industriellenvereinigung Vorarlberg gemeinsam mit dem Land Vorarlberg die Dornbirner Marktbesucher:innen am Tag vor der Übernahme mit einem “Ode an die Freude “ Flashmob. Zu sehen und zu hören waren Musiker:innen des Vorarlberger Landeskonservatoriums, sowie Chorist:innen des Bregenzer Festspielchors und des Kammerchor Feldkirch. Die musikalische Leitung hatte Benjamin Lack inne. Video: Fux &amp; Hase, Ton: Nautilus Sound; Bild: foto-serra “Abschließend noch einmal herzlichen Dank, denn ohne Ihr großes Engagement und Ihre Begeisterung wäre diese Aktion nicht möglich gewesen.” — DR. MICHAEL GRAHAMMER, VIZEPRÄSIDENT DER WIRTSCHAFTSKAMMER VORARLBERG</image:caption>
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      <image:title>Produktionsleitung - Uraufführung der oper “170 tage in nanking” &amp; Eröffnung des jiangsu center for the performing Arts</image:title>
      <image:caption>“170 Tage in Nanking - Die Tagebücher John Rabes” – Uraufführung, Nanjing, China</image:caption>
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      <image:title>Produktionsleitung - James BonD “EIn QUantum Trost” - Aufnahmeleitung Österreich</image:title>
      <image:caption>Im Bild bin ich mit Regisseur Marc Forster zu sehen wie wir gemeinsam den Werkstattbühnenhof des Bregenzer Festspielhauses besichtigen, um über die notwendigen Vorbereitungen für die anstehenden Dreharbeiten zu sprechen. Leonhard Gmür, unser lokaler Produktionsleiter führte mich damals auf Empfehlung eines Freundes in die Welt des Filmes ein und übertrug mir die Aufgabe des Aufnahmeleiters für die beiden österreichischen Drehorte Feldkirch (Verfolgungsfahrt bei Nacht) und Bregenz</image:caption>
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      <image:title>Produktionsleitung - “ANDREA CHÉNIER” – Bregenzer Festspiele</image:title>
      <image:caption>Künstlerisch sicher eine der erfolgreichsten Produktionen in meinen acht Jahren als künstlerischer Produktionsleiter und Company Manager bei den Bregenzer Festspielen. Keith Warner (Regie), David Fielding (Bühne) und Constance Hoffman (Kostüme) haben es verstanden diese eher unbekannte Oper in großes Kino auf dem See umzuwandeln. Gepaart mit guten Sänger:innen, Stunt-Leuten, Artist:innen, Chor, Statist:innen und Orchester erlebten zehntausende von Besucher:innen allabendlich die Französische Revolution erneut. Musikalische Leitung: Ulf Schirmer; Regie: Keith Warner; Bühne: David Fielding; Kostüme: Constance Hoffman; Choreographie: Lynne Page; Licht: Davy Cunningham; Acrobatic &amp; Aerial Design: Airealistic</image:caption>
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      <image:title>Produktionsleitung - Les troyens - san francisco opera</image:title>
      <image:caption>“Les Troyens” von Hector Berlioz ist eine Monster-Oper. Eigentlich zwei Opern in einer, da der erste und zweite Teil auf jeden Fall jeweils lange genug für einen eigenen Opernabend wären und auch die Kulisse wie in diesem Fall für mehr als eine Oper reichen würde. Aber genau das ist das Besondere. Wir bringen Visionen auf die Bühne und entführen das Publikum in Kunst- und Traumwelten. Unsere Produktion (hier Highlights schauen) an der San Francisco Opera umfasste 16 voll bepackte Schiffscontainer voller Kulissen, Kostüme und Requisiten, die direkt von unserem Ko-Produzenten Royal Opera House Covent Garden in den Hafen von Oakland kamen. Dort wurden sie dann auf unseren Lagerplatz gebracht, ausgeladen, gesichtet, die zu reparierenden/adaptierenden Teile in die Werkstätten gebracht, die Kostüme an unsere Besetzung angepasst oder neu geschneidert sowie alle Requisiten aufbereitet und eingelagert. Bevor wir das Set auf die Bühne stellten, haben wir den kompletten Bühnenboden mit 19 mm Spanplatten ausgelegt und dadurch statisch verstärkt, damit die großen Kulissenwägen auch sauber in die jeweiligen Positionen fahren konnten. Was für eine super Leistung der gesamten Bühnen-Crew! Musikalische Leitung: Donald Runnicles, Regie: David McVicar, Co-Regie: Leah Hausman, Bühne: Es Devlin, Kostüme: Moritz Junge, Licht: Wolfgang Göbbel, Pia Virolainen Chorleitung: Ian Robertson, Choreographie: Lynne Page, Kampfchoreographie: Dave Maier, Co- Choreographie: Gemma Payne Ko-Produktion: San Francisco Opera, Royal Opera House Covent Garden, Teatro alla Scala &amp; Wiener Staatsoper</image:caption>
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    <loc>https://www.knappdaniel.de/overview</loc>
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    <lastmod>2023-03-30</lastmod>
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      <image:title>Overview</image:title>
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      <image:title>Overview</image:title>
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    <lastmod>2023-02-03</lastmod>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>3 Tage, 4 Konzerte - direkt am Bodenseeufer in Friedrichshafen</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Blick in die Zukunft der Kultur- und Veranstaltungsbranche (Foto: Stadt Friedrichshafen)</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Neu ab August 2020 - der Ideen Veschper Podcast</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>News - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.knappdaniel.de/weristdaniel</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548935845313-UK96ETMOTY79UVFYSFEA/Stilisierter+bw+Zylinder.png</image:loc>
      <image:title>Wer ist Daniel Knapp?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.knappdaniel.de/beratung</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548944391956-22EYNJAI5EA8TOE1F5W9/OPENCOV+SHANGHAI+APRIL+2010+096.png</image:loc>
      <image:title>Beratung &amp; Bildung</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548944141688-ZTZFVEUTPI7W0DMAS060/Workshop_pictures_collage.png</image:loc>
      <image:title>Beratung &amp; Bildung</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548280645513-GGPO11Z9U3NDFYOSQAUC/IMG_0982.JPG</image:loc>
      <image:title>Beratung &amp; Bildung</image:title>
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  </url>
  <url>
    <loc>https://www.knappdaniel.de/productionmanagement</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-02-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1549622263065-79ZAGOX5DEBQS9WS7B3H/Les+Troyens+Collage.png</image:loc>
      <image:title>Production Management - LES TROYENS @ SAN FRANCISCO OPERA</image:title>
      <image:caption>“Les Troyens” by Hector Berlioz is a monster of an opera. It’s actually more like two operas in one. Each act is long enough to stand by itself, and the environments each of the acts require are distinctly different. Our production was big and an outright challenge to fit on the stage of the War Memorial Opera House in San Francisco. That’s what makes it so unique. We bring visionary artistic concepts to life and take the audience on a trip to fantasy and dream worlds. Our show (watch highlights here) with all of its sets, props and costumes at the San Francisco Opera traveled in 16 HC shipping containers from our co-producer, the Royal Opera House Covet Garden to the Port of Oakland. We unloaded and inspected everything, hauled the parts that required repair, altering or touching-up to our scenery and costume shops and gave the props a good makeover. For the stage to hold the weight of the big set pieces, the crew covered the stage floor with plywood, which also helped with the manual movement of the big scenery trucks a vista. The team did a magnificent job preparing and running this show. Music Director: Donald Runnicles, Production: David McVicar, Director: Leah Hausman, Set Design: Es Devlin, Costume Design: Moritz Junge, Original Lighting Design: Wolfgang Göbbel, Lighting Design: Pia Virolainen Chorus Master: Ian Robertson, Choreographer: Lynne Page, Fight Director: Dave Maier, Associate Choreographer: Gemma Payne Co-Production between: San Francisco Opera, Royal Opera House Covent Garden, Teatro alla Scala &amp; Wiener Staatsoper</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1661102738857-QPR5AE5R12I4IJHI4JH1/5.jpeg</image:loc>
      <image:title>Production Management - WORLD PREMIERE OPERA IN EGYPT - PRODUCTION DIRECTION &amp; SCENERY CONSTRUCTION SUPERVISION</image:title>
      <image:caption>For a super exciting opera project that will be premiered in Egypt, we have been driving the planning and preparations with the producers and the directing team since spring 2021. We - together with our international network - take care of the collaboration with set and costume designers as well as their artistic submissions, the technical drawings, supplier evaluation, construction awards, production processes, production meetings, staff and rehearsal planning, budgeting, and budget monitoring, recruitment and training of production staff and at the moment mainly the scheduled artistic and technical execution of the set construction. To date, the "Les Troyens" production that Daniel oversaw on the San Francisco Opera stage was our largest realized production. Now Egypt is superseding it at the top with 36 containers of scenery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1547828253892-TW78V17UBAUN1UTXG5AJ/Nanjing+Hug</image:loc>
      <image:title>Production Management - WORLD PREMIERE OF THE OPERA “170 DAYS IN NANKING” &amp; OPENING OF THE jiangsu center for the performing Arts</image:title>
      <image:caption>“170 Tage in Nanking - Die Tagebücher John Rabes” – Uraufführung, Nanjing, China</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548157500660-5AVYJRCT4E2GYJ4J7MY7/DK_basement_SFO_2016.jpg</image:loc>
      <image:title>Production Management</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548153661606-MCUONYMVENTT2ASG6AOR/DRC+Plakat+China.png</image:loc>
      <image:title>Production Management - “DREAM of the red chamber” China Tour</image:title>
      <image:caption>This tour was exceptional in the world of opera. Because only one in I don’t know how many new works produced in the West get the chance for additional exposure in Asia directly after its premiere. “Dream of The Red Chamber” was commissioned by San Francisco Opera and the Chinese Heritage Foundation immediately went on tour. Bright Sheng and David Henry Hwang created an opera that was shown at the Hong Kong Arts Festival (HKAF) and then went on to be taken on tour through China by Armstrong Music &amp; Arts International. I had the privilege to accompany the creation process from (almost) day one, attended the first workshop at HKUST and all creative team meetings, looked after the build and completion in San Francisco, was invited to Hong Kong with the production in March 2017 for rehearsals and performances at HKAF and was than asked by Wray Armstrong and Evita Zhang to take on the role as Production Director for the China tour. We rehearsed in Tangshan and then subsequently performed at the Poly Theatre in Beijing, the brand new Meixihu International Culture and Arts Center in Changsha and the Qintai Grand Theater in Wuhan where the show was also live broadcast on local television. Music &amp; Music Director: Bright Sheng; Libretto: David Henry Hwang &amp; Bright Sheng; Director: Stan Lai; Production Design: Tim Yip; Licht: Wang Tien Hung, Choreographie: Ran Arthur Braun, Regieassistenz: Reed Fisher</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548154126622-H4VP7HVASHRPW5MOOXHA/Seeb%C3%BChne_Chenier_BF.png</image:loc>
      <image:title>Production Management - “ANDREA CHÉNIER” – Bregenzer Festspiele</image:title>
      <image:caption>Künstlerisch sicher eine der erfolgreichsten Produktionen während meiner Zeit als künstlerischer Produktionsleiter und Company Manager bei den Bregenzer Festspielen. Keith Warner (Regie), David Fielding (Bühne) und Constance Hoffman (Kostüme) haben es verstanden diese eher unbekannte Oper in großes Kino auf dem See umzuwandeln. Gepaart mit guten Sängerinnen und Sängern, Stunt-Leuten, Artisten, Chor, Statisten und Orchester erlebten zehntausende von Besuchern allabendlich die französische Revolution erneut. Music Director: Ulf Schirmer</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548156546010-JAM7OZD6WQAJCRVPLGT0/Flasmob+Dornbirn+WKV.JPG</image:loc>
      <image:title>Production Management - FLASHMOB “Wir sind Europa” in Dornbirn</image:title>
      <image:caption>“Abschließend noch einmal herzlichen Dank, denn ohne Ihr großes Engagement und Ihre Begeisterung wäre diese Aktion nicht möglich gewesen.” — DR. MICHAEL GRAHAMMER, VIZEPRÄSIDENT DER WIRTSCHAFTSKAMMER VORARLBERG</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.knappdaniel.de/consulting</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548280645513-GGPO11Z9U3NDFYOSQAUC/IMG_0982.JPG</image:loc>
      <image:title>Consulting &amp; Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548944391956-22EYNJAI5EA8TOE1F5W9/OPENCOV+SHANGHAI+APRIL+2010+096.png</image:loc>
      <image:title>Consulting &amp; Education</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548944141688-ZTZFVEUTPI7W0DMAS060/Workshop_pictures_collage.png</image:loc>
      <image:title>Consulting &amp; Education</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.knappdaniel.de/whoisdaniel</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-03-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/1548935845313-UK96ETMOTY79UVFYSFEA/Stilisierter+bw+Zylinder.png</image:loc>
      <image:title>Who is Daniel</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.knappdaniel.de/kontaktanfrage</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a9e9ec4cef3720be5b2681b/3b7462c1-1f9c-41c7-8b4f-ea78116a2c0a/SFO_DK_basement</image:loc>
      <image:title>Kontaktanfrage - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

